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The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance and theater. JSCM also publishes critical reviews and summary listings of recently published books, scores, recordings, and electronic media.
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VOLUME 10 (2004) NUMBER 1
Le Theatre de sa Gloire:
Essays on Persée, Tragédie en Musique by Quinault
and Lully
Dedicated to the Memory of James R. Anthony
Lois Rosow, Guest Editor
Table of Contents
James R. Anthony (1922–2001): An Appreciation, Rebecca Harris-Warrick
Introduction, Lois Rosow
Summary of the Plot of Persée, Buford Norman
Libretto of Persée, with English Prose Translation, Lois Rosow
Review-Essay
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Antonia L. Banducci, The Opera Atelier Performance (Toronto, 2000): The Spirit of Lully on the Modern Stage
Articles
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Buford Norman, Rivalry and Collaboration: The Role of Mérope in Act I, Scene 4 of Quinault and Lully’s Persée
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Gregory Proctor, A Schenkerian Look at Lully
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Lois Rosow, Lully’s Musical Architecture: Act IV of Persée
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Ken Pierce and Jennifer Thorp, The Dances in Lully’s Persée
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Benoît Bolduc, From Marvel to Camp: Medusa for the Twenty-First Century
Communications
- The Provenance of F-Pn Vm7 137305, Cited by Victor Coelho, François-Pierre Goy
- A
Note from the Editor of the Journal of Seventeenth-Century Music,
Bruce Gustafson
Masthead
- Editor-in-Chief: Bruce Gustafson
- Reviews Editor: Jeffrey Kurtzman
- Copy Editor: Mary Paquette-Abt
- Consulting Editor: Kerala J. Snyder
Editorial Board: - Mauro Calcagno, Tim Carter (ex officio, President of the Society for Seventeenth-Century Music), Richard Charteris, Rebecca Harris-Warrick, Wendy Beth Heller, Denis Herlin, John Walter Hill, Lois Rosow, Alexander Silbiger
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