VOLUME 11 (2005) NUMBER 1

Table of Contents

A Note from the Editor, Bruce Gustafson

Articles

• Peter Pesic, Earthly Music and Cosmic Harmony: Johannes Kepler’s Interest in Practical Music, Especially Orlando di Lasso

• Ken McLeod, Narrating a Nation: Venus on the Late Seventeenth-Century English Stage

• Gary R. Boye, The Case of the Purloined Letter Tablature: The Seventeenth-Century Guitar Books of Foriano Pico and Pietro Millioni

Review-Essay

• David Schulenberg, Editing the Keyboard Music of Bull and Scheidemann

Reviews

Books

• Honoring God and the City: Music at the Venetian Confraternities, 1260–1807 by Jonathan Glixon, reviewed by Giulio M. Ongaro
• L’oratorio musicale italiano e i suoi contesti (secc. XVII–XVIII) edited by Paola Besutti;
• Percorsi dell’oratorio romano, Da ‘historia sacra’ a melodramma spirituale edited by Saverio Franchi; reviewed by Margaret Murata
• Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700 by Colleen Reardon, reviewed by Kimberlyn Montford
• Music and Theatre in France 1600–1680 by John S. Powell, reviewed by Catherine Cessac


• Touched by the Graces: the Libretti of Philippe Quinault in the Context of French Classicism by Buford Norman, reviewed by John Hajdu Heyer


• Lully Studies edited by John Hajdu Heyer, reviewed by Rose Pruiksma


• Notes of Me: the Autobiography of Roger North edited by Peter Millard, reviewed by Stacey Jocoy Houck


• Georg Muffat on Performance Practice edited and translated by David K. Wilson, reviewed by Steven Zohn


• The Viol: History of an Instrument by Annette Otterstedt, reviewed by Mary Cyr
• Figured Bass Accompaniment in France by Robert Zappulla, reviewed by Charlotte Mattax

Critical Editions of Music

• Seventeenth-Century Italian Sacred Music, volumes 1–10: Masses, edited by Anne Schnoebelen, reviewed by Stephen R. Miller
• Giovanni Rovetta, Messa, e salmi concertati, op. 4 (1639), edited by Linda Maria Koldau, reviewed by Anne Schnoebelen
• Giovanni Antonio Rigatti, Messa e salmi, parte concertati, edited by Linda Maria Koldau, reviewed by Andrew H. Weaver
• Cesare Borgo, Primo libro di canzonette a tre voci; Giuseppe Caimo, Secondo libro di canzonette a quattro voci, edited by Laura Mauri Vigevani, reviewed by Ruth I. DeFord
• Seventeenth-Century Lutheran Church Music with Trombones, edited by Charlotte A. Leonard, reviewed by Stewart Carter
• John Hilton, Ayres, or Fa La’s for Three Voyces (1627), edited by John Morehen, reviewed by Amanda Eubanks Winkler

Facsimile Editions of Music

• Pièces de clavecin ca 1670–1685: fac-similé du manuscrit, Bibliothèque du Conservatoire Royal/Koninklijk Conservatorium, Bruxelles, Ms 27220, Introduction by David Fuller;
• Jean Henry D’Anglebert, Pièces de clavecin, Introduction by Denis Herlin;
• Nicolas de Grigny, Premier Livre d’orgue: Édition originale, 1699; Copie manuscrite de J.S. Bach; Copie manuscrite de J.G. Walther, presented by Pierre Hardouin, Philippe Lescat, Jean Saint-Arroman, and Jean-Christophe Tosi; reviewed by David Ledbetter

Compact Discs

• Claudio Monteverdi: Vespro della Beata Vergine, Apollo’s Fire and Apollo’s Singers, reviewed by Jeffrey Kurtzman

• Henry Purcell: Dido & Aeneas, Clare College Chapel Choir and the Orchestra of the Age of Enlightenment, reviewed by Andrew R. Walkling

• John Bull, Kevin Komisaruk, organ;
• Farnaby’s Dreame, Timothy Roberts, harpsichord;
• Seaven Teares: Music of John Dowland, The King’s Noyse; reviewed by Candace Bailey

• Jean-Henry D’Anglebert: Pièces de clavecin (Paris, 1689), Hank Knox, clavicytherium, reviewed by David Chung

• Practicing Time and Art, ’t Uitnement Kabinet, reviewed by John Dornenburg

Communication

• Sequentia: An Online Database for Research into Chant and Liturgy of the Early Modern Era, Nathalie Berton, Cécile Davy-Rigaux, and Deborah Kauffman

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