VOLUME 4 (1998) NUMBER 1

Table of Contents

Articles

• DAVID SCHULENBERG, Some Problems of Text, Attribution, and Performance in Early Italian Baroque Keyboard Music

Reviews

          BOOKS

• Performing the Music of Henry Purcell. Edited by Michael Burden. Oxford: Clarendon Press, 1996. Reviewed by Robert Shay
  
  
• The Livrets of Jean-Baptiste Lully’s Tragédies Lyriques: A Catalogue Raisonné. Compiled by Carl B. Schmidt. New York: Performers’ Editions [Broude Brothers], 1995. Reviewed by Lois Rosow
  
  
• The Registration of Baroque Organ Music. By Barbara Owen. Bloomington: Indiana University Press, 1997.  Reviewed by Lawrence Archbold

  MUSICAL EDITIONS

• Marc-Antoine Charpentier, Meslanges autographes, vol. 1. Introductions by Catherine Massip and H. Wiley Hitchcock. “Œuvres complètes,” I. Paris: Minkoff France, 1990. Reviewed by John S. Powell
  
  
• Jean-Baptiste Lully, Quare fremuerunt gentes, LWV 67; Notus in Judaea Deus, LWV 7/177; Exaudiat te Dominus, LWV 77/15. Edited by Lionel Sawkins and Carl B. Schmidt; John Hajdu Heyer; and Anne Baker (respectively). "Jean-Baptiste Lully: The Collected Works" series IV, vol. 5. New York: The Broude Trust, 1996.  Reviewed by Philippe Vendrix

COMPACT DISCS

• William Byrd, Virginals & Consorts. Skip Sempé, harpsichord and director; Capriccio stravagante. Auvidis/Astrée, 1997. Reviewed by Candace Bailey
   
• Nicolas Vallet, Le Secret des Muses. Eugène Ferré, lute solo; with Jérôme Blum, Brian Freehan, and Pascal Monteilhet, lutes. Auvidis/Astrée, 1997 [Auvidis E 8591.] Reviewed by David J. Buch

BRIEFLY NOTED by Bruce Gustafson, Reviews Editor

JSCM is permanently archived through LOCKSS, and the LOCKSS system has permission to collect, preserve, and serve this Archival Unit.

Copyright statement

Copyright (C) 1998 by the Society for Seventeenth-Century Music.

Except as otherwise provided, the author of each article in this issue has granted permission for paper or electronic copies of the textual and graphical portions of that article to be made for classroom use, provided that (1) copies are distributed at or below cost, (2) the author and the Journal are identified, (3) proper notice of copyright is attached to each copy, and (4) the Journal of Seventeenth-Century Music is notified of the use.

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