Journal of Seventeenth-Century
Music, volume 9 (2003) no. 1
http://www.sscm-jscm.org/v9/no1/kurtzman.html
ISSN: 1089-747X
Jeffrey Kurtzman
Deconstructing Gender in Monteverdi’s L’Orfeo
example 2
Monteverdi, Vespro della Beata Vergine, 1610, Magnificat a 7,
“Gloria Patri,” mm. 1–9